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Written by STEVE SKEATES, PAUL LEVITZ and others Art by MIKE GRELL, JIM APARO and others Cover by JIM APARO Don't miss this dramatic 1970s tale from ADVENTURE COMICS #435-437, 441-455 and AQUAMAN #57-63! As Aquaman faces his greatest foes, Black Manta plans his ultimate revenge on the Sea King - resulting in the death of Aquaman's infant son and the dissolution of his marriage.
- Sales Rank: #1744676 in Books
- Brand: DC Comics
- Published on: 2011-07-12
- Released on: 2011-07-05
- Original language: English
- Number of items: 1
- Dimensions: 10.10" h x .46" w x 6.50" l, 1.21 pounds
- Binding: Paperback
- 336 pages
About the Author
Steve Skeates, comic book writer, worked on the Spectre, Hawk and Dove, T.H.U.N.D.E.R. Agents, and Aquaman. Paul Levitz rose from writing Legion of Super-Heroes to become President and Publisher of DC Comics until 2009. Mike Grell is a comic book writer and artist. He worked for DC on Action Comics, Adventure Comics, Batman, Detective Comics, Superboy and Warlord.
Most helpful customer reviews
11 of 11 people found the following review helpful.
The Silver-Age Aesthetic Incarnate
By Steve G.
"Aquaman: Death of a Prince" shows us how much classic comics had to offer, and how much modern comics have discarded without good cause. Look through this massive 300+ page tome and just try to find fault with the arrangement of thought bubbles, motion lines, or giant onomatopoeias. The covers are also presented, and they convey so much more excitement and personality than those of today, where depicting text on the cover (word balloons especially) has been condemned as campy.
Jim Aparo has never received the acclaim that contemporaries of his like Neal Adams, Jim Steranko, John Byrne, John Buscema, and George Perez have. If you search Amazon, you don't find any compilations of his work as you do theirs. Maybe that's because his work was so prolific comparatively that it's been taken for granted. Some of his finest is presented here, along with that of the underrated and largely forgotten Don Newton. The highest possible marks are awarded for the coloring job here, which--given the glossy nature of the paper--does great justice to the flat-coloring style of old-school comics.
As to the storyline, it is true that it is somewhat derivative of the Sub-Mariner comics of the era, right up to the titular prince's death scene exhibiting a notable similarity to that of Namor's Lady Dorma. However, Aquaman is a significantly more accessible character than Marvel's own grandiose king of Atlantis, chiefly due to various instances of flawed, impulsive judgment and the consequential regret.
I do wish the collection had expanded into more of an omnibus, incoporating the Aquaman run from the giant-sized Adventure Comics. Nonetheless, all-in-all, what we have here is a spectacular collection that deserves a hard-cover edition. Good job, DC!
13 of 13 people found the following review helpful.
Jim Aparo Art & The Sea King Adventures at its finest
By Veese
This is the pinnacle collection of DC Comic's Aquaman and his supporting cast of characters and villains. I have been following how the character has been handled by DC creators for decades and honestly say this is a collection of the very best Aquaman stories one could ever hope to find.
Far beyond the stories themselves, these collected issues are a shining example of the dynamic and powerful art of the late Jim Aparo. One of DC's finest illustrators in the 1970s and `80s. Next to Aparo's work on a lengthy and fantastic run of Batman: Brave and the Bold in the `70s, his work in this Aquaman series is his very best. The energy, motion and power of Aquaman on the page just explode for the reader. Many of today's comic book illustrators could learn years worth of instruction in this volume alone. Namely how to properly convey story, emotion and dynamics on every single page.
Very enjoyable and long overdue collection from DC Comics!
5 of 5 people found the following review helpful.
"You were expecting, perhaps, Peter Benchley?"
By H. Bala
That quip above is delivered by Black Manta. Aquaman never was known for his witticisms. You may intuit from peeking at the trade's cover (reprinted from Jim Aparo's cover of AQUAMAN #62) that this collection features the story arc which kills off Aquababy, which subsequently cools Aquaman's marriage with his otherdimensional wife Mera. Even to this day, the ramifications spooling from this tragedy are palpable. We also learn why the Black Manta calls himself that, and, back in the '70s, this was probably a significant reveal. For years Aquaman made his home in ADVENTURE COMICS, sharing the title with fellow second bananas like the the Seven Soldiers of Victory, Creeper, and the Martian Manhunter, until he graduated into his own comic book. AQUAMAN: DEATH OF A PRINCE collects the Aquaman tales from ADVENTURE COMICS #435-437 & #441-455 and AQUAMAN #57-63, a run of adventures published from 1974 to 1978. That's over 300 pages of content, yo. And in color.
At one point, Aquaman smashes Black Manta with a mighty fist and reflects: "This must be the 47th time I've knocked this pest unconscious." Except that Black Manta ultimately ends up having the last word. I still got love for Arthur Curry, one of the most dismissed superheroes in comicbookdom. He doesn't inspire like Superman or intimidate like Batman. He's not as revered as Barry Allen's Flash (or Jay Garrick's Flash, for that matter). Wonder Woman would make mincemeat out of him. And Arthur Curry can't be out of the water longer than an hour. So down the years he's garnered this sissified rep.
But there's more to Aquaman than just swimming like the dickens. And, yeah, he always seems to require his fishy friends to extricate him from a jam. But this is the friggin' King of the Seven Seas! Not only is he functionally telepathic, not only have the rigors of swimming leagues down in the crushing ocean depths imbued him with immense strength and durability, this guy is also sovereign of an underwater kingdom. Mad respect must be paid to a bloke what juggles a superhero career AND a monarchy.
Except that Aquaman's frequent stints with the Justice League take a toll on his crown. While the marine marvel occupies himself with fending off the villainy of rogues like Black Manta, the Fisherman, the Ocean Master, etc., his reign in Atlantis is quietly collapsing due to neglect. So this trade collection also features the coup which ousts Aquaman as King of Atlantis. And I think it's even more humiliating when you lose your kingdom not because of violent sedition but because you get voted out for sheer incompetency.
Off he and Mera and their infant son - and a babysitting octopus named Topo - go, sallying forth to the hidden Aquacave, and by "hidden" I mean that every villain seems to have his GPS homing in on it. At this stage, it goes even more downhill for Aquaman. His partnership with his protégé Aqualad deteriorates further. Instead of dedicating himself to more time with the fam, the deposed king steeps himself into more superhero business. And then Black Manta happens. And that cover to this trade happens. And here's his bitter wife accusing him of causing their son's death. And I happen to agree with her, never mind Arthur Curry's blind protestations. And to complete the family dysfunction, keep in mind that Ocean Master happens to be Arthur's half-brother Orm, and he takes his shot at Aquaman. Take that, Greek pantheon.
I like that the writers maintain continuity throughout this run, one story folding into the next. I like that, occasionally, Aquaman will stop beating on his rogues' gallery and take on other big bads. Offsetting trifling hoods like the scavenger and the Pirate Who Plundered Atlantis are formidable foes like the Marine Marauder (whose telepathic command of air-breathing sea creatures surpasses Aquaman's) and that mutated tiger shark (yeah, you heard me). Maybe the most daunting foe he faces in this trade is Starro the Conqueror who, if you will recall, was instrumental in originally assembling the Justice League. Surprisingly, Flash's old foe, the Weather Wizard, almost gives Aquaman more than he can handle. Later, Aquaman teams up with Batman and Green Lantern to face the menace of Kobra a.k.a. "the Deadliest Man Alive." It figures that this issue ends with Batman chewing out Aquaman. Guy cannot catch a break.
Mike Grell's art in the earlier issues are fine, as is Don Newton's later on. But, really, it's Jim Aparo who makes this trade truly something to savor, visually. Nowadays, young whippersnappers don't know Jim Aparo, but they're missing out on a consummate draftsman. He injects Aquaman with dynamism, illustrates him as a vigorous, commanding hero. I appreciate Aparo's convincing underwater depictions, the sense of motion and invaluable details such as Aquaman's hair floating about in the water and how folks actually look like they're swimming. Note that the AQUAMAN issues also reprint the back-up stories featuring Mera and Aqualad in their respective adventures: Mera as she seeks a device which may revive Aquababy and Aqualad as he searches for his roots. Sadly, the art in these backups pretty much sucks.
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