Sabtu, 29 September 2012

[E442.Ebook] PDF Download Discognition, by Steven Shaviro

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Discognition, by Steven Shaviro

What is consciousness? What is it like to feel pain, or to see the color red? Do robots and computers really think? For that matter, do plants and amoebas think? If we ever meet intelligent aliens, will we be able to understand what they say to us? Philosophers and scientists are still unable to answer questions like these. Perhaps science fiction can help. In Discognition, Steven Shaviro looks at science fiction novels and stories that explore the extreme possibilities of human and alien sentience.

  • Sales Rank: #442059 in Books
  • Published on: 2016-03-29
  • Released on: 2016-03-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.80" h x .90" w x 5.00" l, .81 pounds
  • Binding: Paperback
  • 300 pages

About the Author
Steven Shaviro is the DeRoy Professor of English at Wayne State University. His books include Connected, Or, What �It �Means To Live in the Network Society (2003), Post-Cinematic Affect (2010), The Universe of Things (2014), and No Speed Limit: Three Essays on Accelerationism (2014). He blogs at The Pinocchio Theory.

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2 of 3 people found the following review helpful.
Five Stars
By Andreas Ottosson
One of my favorite philosophy books ever. Accessible, fun and at times deeply unsettling.

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Kamis, 27 September 2012

[Q731.Ebook] Free PDF Site Analysis: Diagramming Information for Architectural Design 1st (first) Edition

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Rabu, 19 September 2012

[J699.Ebook] PDF Ebook Literature and Art in the Middle Ages, by F. P. Pickering

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Illustrated. Includes index.

  • Sales Rank: #3848871 in Books
  • Brand: Brand: Univ of Miami Pr
  • Published on: 1970-06
  • Ingredients: Example Ingredients
  • Original language: English
  • Binding: Hardcover
  • 362 pages
Features
  • Used Book in Good Condition

Language Notes
Text: English, German (translation)

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Minggu, 16 September 2012

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The Seventh edition of Urban Economics continues to be the market leading textbook due to its thorough content and concise writing style. The new edition continues to cover urban economics as the discipline that lies at the intersection of geography and economics. Urban Economics incorporates the remarkable progress in the field of urban economics from the last fifteen years. It also explores the location decisions of utility-maximizing households and profit-maximizing firms, and it shows how these decisions cause the formation of cities of different size and shape.

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-Part I explains why cities exist and what causes hem to grow or shrink

-Part II examines the market forces that shape cities and the role of government in determining land-use patterns

-Part III looks at the urban transportation system

-Part IV uses a model of the rational criminal to explore the causes of urban crime and its spatial consequences

-Part V explains the unique features of the housing market and examines the effects of government housing policies

-Part VI explains the rationale for our fragmented system of local government and explores the responses of local governments to intergovernmental grants and the responses of taxpayers to local taxes.

  • Sales Rank: #509666 in Books
  • Brand: McGraw-Hill Irwin
  • Published on: 2008-09-09
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x .90" w x 7.50" l, 2.00 pounds
  • Binding: Hardcover
  • 496 pages

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0 of 0 people found the following review helpful.
I ordered this book for one of my Urban Planning ...
By CharmChats
I ordered this book for one of my Urban Planning college courses. The book was as described. There was little to no damage to the book and it had all of its pages. I definitely scored with ordering this one because it saved me quite a bit of money!

0 of 0 people found the following review helpful.
It's a good book. My teacher recommended this
By MarcusB
It's a good book. My teacher recommended this. It just does not follow the Urban Eco class that I was taking. Some professors with tenor have their own material and this book is maybe for a professor that does not have his own lessons. So the book didn't really help me for tests but nothing wrong with it if your teachers teaches more from the Book i guess. The book had used 2 of my teachers graphs which was kinda cool. The seller shipped very quick. The book is a little more simple than a 400 level ECO class, probably at a 200 level difficulty? UB eco ;)

1 of 1 people found the following review helpful.
Touches virtually all bases that the introductory student of urban economics should consider
By Hugh H. Schwartz
Arthur O'Sullivan's Urban Economics is a comprehensive and sophisticated introduction to the field of urban economics, lacking only recognition of the contribution of behavioral economics. The reader will find him or herself well on the way to being able to tackle some of the most pressing considerations that present themselves.

Hugh Schwartz, author of Urban Renewal, Municipal Revitalization: The Case of Curitiba, Brazil.

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Kamis, 06 September 2012

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  • Sales Rank: #12703182 in Books
  • Published on: 2011-01-01
  • Dimensions: 9.50" h x 1.36" w x 6.75" l,
  • Binding: Paperback
  • 600 pages

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Five Stars
By mitridate78
The book I needed

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Minggu, 02 September 2012

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Age of Anger: A History of the Present, by Pankaj Mishra

How can we explain the origins of the great wave of paranoid hatreds that seem inescapable in our close-knit world-from American shooters and ISIS to Donald Trump, from a rise in vengeful nationalism to racism and misogyny on social media? In Age of Anger, Pankaj Mishra answers our bewilderment by casting his gaze back to the eighteenth century before leading us to the present. As the world became modern, those who were unable to enjoy its promises of freedom, stability, and prosperity were increasingly susceptible to demagogues. It was from among the ranks of the disaffected that the militants of the nineteenth century arose-angry young men who became cultural nationalists in Germany, messianic revolutionaries in Russia, bellicose chauvinists in Italy, and anarchist terrorists internationally. Today, just as then, the embrace of mass politics and technology and the pursuit of wealth and individualism have cast many more billions adrift, uprooted from tradition but still far from modernity-with the same terrible results. Making startling connections and comparisons, Age of Anger is a book of immense urgency and profound argument. It is a history of our present predicament unlike any other.

  • Sales Rank: #624137 in Books
  • Published on: 2017-02-07
  • Released on: 2017-02-07
  • Formats: Audiobook, MP3 Audio, Unabridged
  • Original language: English
  • Dimensions: 7.40" h x .60" w x 5.30" l,
  • Running time: 12 Hours
  • Binding: Audio CD

Review
�In this urgent, profound and extraordinarily timely study, Pankaj Mishra follows the likes of Isaiah Berlin, John Gray and Mark Lilla by delving into the past in order to throw light on our contemporary predicament, when the neglected and dispossessed of the world have suddenly risen up in Nietzschean ressentiment to transform the world we thought we knew.� ---John Banville

About the Author
Pankaj Mishra is the author of From the Ruins of Empire and several other books. He is a columnist at Bloomberg View and the New York Times Book Review, and writes regularly for The Guardian, the London Review of Books, and The New Yorker. A fellow of the Royal Society of Literature, he lives in London.

A native of the United Kingdom, AudioFile Earphones Award winner Derek Perkins's audiobook narration skills are augmented by knowledge of three foreign languages, experience of traveling the globe, and a facility with accents. He has narrated numerous titles in a wide range of fiction and nonfiction genres.

Most helpful customer reviews

110 of 116 people found the following review helpful.
Original, bold, and perceptive
By David Keppel
Not only timely but also original, bold,and very perceptive. Here's Mishra's thesis: "The scope of this universal crisis is much broader than the issue of terrorism or violence. Those routinely evoking a worldwide clash of civilizations in which Islam is pitted against the West, and religion against reason, are not able to explain many political, social and environmental ills. And even the exponents of the ‘clash’ thesis may find it more illuminating to recognize, underneath the layer of quasi-religious rhetoric, the deep intellectual and psychological affinities that the gaudily Islamic aficionados of ISIS’s Caliphate share with D’Annunzio [Italian proto-fascist who inspired Mussolini and Hitler] and many other equally flamboyant secular radicals in the nineteenth and early twentieth centuries: the aesthetes who glorified war, misogyny, and pyromania; the nationalists who accused Jews and liberals of rootless cosmopolitanism and celebrated irrational violence; and the nihilists, anarchists and terrorists who flourished in almost every continent against a background of cosy political-financial alliances, devastating economic crises and obscene inequalities. We must return to the convulsions of that period in order to understand our own age of anger."

Mishra creatively disrupts the common narrative (associated with Samuel Huntington and Bernard Lewis) of the West versus Islam. He finds the roots of ISIS not in a supposedly backward Islam but in the discontents of Western modernity, a discontent including such iconic Western rebels as Rousseau, Nietzsche, and Nechayev, as well as proto-fascists such as d'Annunzio. "Pushkin, looking for a model freedom fighter in exile in the year of Byron’s death, alighted on the Prophet Mohammed in his cycle of poems, Imitations of the Quran." And, unafraid of the critics, he connects both Jewish and Islamist fundamentalists to mid 20th Century European communists and fascists. As an Indian, he is especially interested in (and horrified by) Hindu ultra-nationalists. It was the election of Narenda Modi in India that spurred him to begin writing the book, which he delivered to his publisher the week Donald Trump was elected President of the United States.

Few writers have the breadth and daring to connect the multiple political pathologies we are witnessing. Mishra does. His book is a major contribution to those who want not only to understand but also to resist.

39 of 42 people found the following review helpful.
A much more informed take on the present
By Alan K
Want to make sense of the world in a fair, non-knee jerk manner? Want to be more than just a troll? Then do yourself the favor of reading Mishra's timely monograph. Patiently taking the time to catalog the impact of modern thought across the centuries and across the globe both politically and culturally, Mishra provides us with a deeper, more grounded analysis as to how we now live in a world of ISIS, Brexit, and President Trump. Give yourself permission to step out of the 24-hour news cycle and Facebook updates and instead consider how figures like Voltaire and Rosseau laid down fault lines that more than three centuries later still have considerable determination for our world today.

39 of 44 people found the following review helpful.
The Past as Present
By Stephen N. Greenleaf
Here’s an idea for a history professor who teaches a class in European Thought from the Age of Enlightenment to the advent of the First World War. You give this question as the take-home exam:

"Identify a trend in European thought that spread throughout the continent and beyond that has a connection to events in the contemporary world. Identify the trend and explain how this trend relates to significant contemporary events."

I imagine that something like this popped into the head of Pankaj Mishra, and the Age of Anger is his answer to this challenge. Our imaginary professor need not look further than this brilliant book to find an “A” answer.

In this book, Mishra looks at terrorism, rising popular frustrations, and the shift toward populist politics, ardent nationalism, and autocratic rulers in the contemporary world. In Mishra’s book, we see connections between Islamic terrorists, Hindu nationalists, Brexit, and Trump voters. Each group manifests a fundamental rebellion against the social and economic—and therefore political—strictures of modernity and its most forceful representative, global capitalism. Others have identified these contemporary connections, but Mishra reaches back to the Enlightenment in 18th century France to see how the foremost nation of the age understood modernity and how it responded to the changes modernity imposed upon individuals and societies. Mishra focuses on the leading figure of the French Enlightenment, Voltaire, and its leading critic, Rousseau. European politics after 1789 can be viewed as a continuation of the battles of the French Revolution, and in the same way, European social and political thought can be seen as a continuation of the contending viewpoints of Rousseau and Voltaire.

Mishra traces the history of Rousseau’s thought as it emigrated to Germany and captured the attention of Herder and the Romantic movement. Germany was late to industrial development and late to nationhood, but it made up for its lost time with a vengeance. Mishra also charts the course of Rousseau’s thought and its attendant nationalism into Italy, which also came late to statehood and only falteringly to industrial capitalism. And Mishra looks at Russia, its nationhood achieved, but sorely lagging in the cultural and economic markers of modernity. In each nation, throughout Europe (with Great Britain a significant outlier), the demands of modernity and modern industrial capitalism tore the social fabric and created a backlash among those unable to realize the prizes offered by capitalism. In short, a backlash occurred beginning with the French Revolution and continuing through the First World War to now. While the working class struggled for basic living conditions, the intellectual class struggled with the indignities and frustrations that this system built upon mimetic desire created. Mishra examines the work of a variety of continental thinkers in this period, Herder, Proudhon, Marx, Bakunin (anarchist), Mazzini (Italian nationalist), Dostoevsky, Tocqueville, and Nietzsche, to name some of the most prominent writers who addressed these issues. Also, Mishra discusses the spread of these lines of thought through other parts of the world, including Islamic civilization, India, and China, which, in seeking to throw off the yoke of Western imperialism, adopted and modified Western thinking both modern and anti-modern.

But don’t think that this is merely an account of abstract thinkers. Mishra’s book also recounts the violence spawned by these thinkers and others like them. From the French Revolution to the Revolutions of 1848 to the anarchist bombings and assassinations of the late 19th and early 20th centuries, violence plagued Europe, the U.S., and the rest of the world. And while the two world wars and the cold war placed a damper on much of this ferment, it erupted again after the end of the Cold War. Whether large scale killings like those in Bosnia, or acts of terrorism like the bombing of the Oklahoma City Federal Building and the World Trade Center, in Mishra’s account, it’s all of a single cloth. Indeed, the physical proximity of Timothy McVeigh, U.S. Army veteran, and Ramzi Yousef, mastermind of the first World Trade Center attack (1993), represents the similarity of their characteristics. Yousef claimed the mantle of Islam, and McVeigh claimed no religion other than “science,” but both held a deep-seated grievance against the existing order.

The common bond of this tale of violence is ressentiment, frustration, powerlessness, and humiliation. These feelings provide the motivation for both the angry words and the violent deeds that seek to destroy the system, to remake the world. Note that as I write this, a self-proclaimed “Leninist” who want to bring down the system, Stephen Bannon, sits at the right hand of our demagogic president. I fear it events could become uglier more quickly than we can imagine.

Mishra is a native of India and resides currently in London. He is conversant in both worlds. In An End to Suffering: the Buddha in the World, which I read some years ago, I noted how well he moved between the Buddhist tradition and the Western tradition. His mastery of the material of the “exam question” that he gave in himself in Age of Anger is also exemplary. (He provides a thorough bibliographical essay to show where he has been in this research. It’s impressive.)

More than any other source dealing with the Age of Trump, I found Mishra’s account provides the most useful guide because it reaches back in time and around the globe. I agree with Mishra that economic turmoil and uncertainty, threats such as climate change (which some deny but still no doubt fear), and the ongoing frustrations and humiliations perceived by far too many have created our volatile political climate. Like me, he looks around the world and sees millions and millions of young men [sic] who are encountering frustrated expectations as economic growth inevitably slows and thereby denying opportunities to climb the latter of status and success. Alas, Mishra doesn’t have an answer for all of this. I suspect, like me, that he doesn’t want to crush the benefits of modernity to ameliorate its detriments. But somehow, we have to find our way beyond our current fix, or we will suffer much worse to come.

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Sabtu, 01 September 2012

[N471.Ebook] Download How Posters Work, by Ellen Lupton, Caitlin Condell, Gail Davidson

Download How Posters Work, by Ellen Lupton, Caitlin Condell, Gail Davidson

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How Posters Work, by Ellen Lupton, Caitlin Condell, Gail Davidson

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How Posters Work, by Ellen Lupton, Caitlin Condell, Gail Davidson

With its unique focus on visual language, Ellen Lupton's How Posters Work is more than another poster book. Rather than provide a history of the genre or a compilation of collectibles, the book is organized around active design principles. Concepts such as "Simplify," "Focus the eye," "Exploit the diagonal," "Reverse expectations" and "Say two things at once" are illustrated with a diverse range of posters, from avant-garde classics and rarely seen international works to contemporary pieces by today's leading graphic designers. Illustrated with over 150 works from the collection of Cooper Hewitt, Smithsonian Design Museum, How Posters Work provides a stunning education in seeing and making, demonstrating how some of the world's most creative designers have mobilized principles of layout, composition, psychology and rhetoric to produce powerful acts of visual communication.
Ellen Lupton (born 1963) is an acclaimed writer, curator and graphic designer. She is Director of the Graphic Design MFA program at Maryland Institute College of Art (MICA) in Baltimore, where she also serves as Director of the Center for Design Thinking. As Curator of Contemporary Design at Cooper Hewitt, Smithsonian Design Museum since 1992, she has produced numerous exhibitions and books, including Mechanical Brides: Women and Machines from Home to Office (1993), Mixing Messages: Graphic Design and Contemporary Culture (1996), Letters from the Avant-Garde (1996), Skin: Surface, Substance + Design (2002) and―most recently―Beautiful Users: Designing for People (2014). Lupton is a 2007 recipient of the AIGA Gold Medal, one of the highest honors given to a graphic designer or design educator in the US.

  • Sales Rank: #250210 in Books
  • Published on: 2015-05-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x .70" w x 9.70" l, .0 pounds
  • Binding: Flexibound
  • 208 pages

Review
It’s a great spotlight into the history of the medium while offering fantastic and inspiration posters for creatives today. (The Editors Tory Daily)

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15 of 15 people found the following review helpful.
Poster design insights, for everyone who enjoys posters
By Editchief
"How Posters Work" is one of several new books published in celebration of the reopening of Cooper Hewett, the Smithsonian Design Museum in New York City, in December 2014 after a three-year renovation project. This book is authored (in some parts) and edited (in other parts) by Ellen Lupton, a Senior Curator at Cooper Hewett, the director of a Graphic Design master's degree program, and the writer of many important and influential books on design. In a little over 200 pages, filled with over 300 illustrations, the volume articulates several guiding concepts and shows numerous examples of "how posters work," resulting in a publication that is beneficial to working designers, design students, and those who simply appreciate the power and beauty possible in a 2-D printed message.

The first 70 pages of the book are dedicated to several well-illustrated essays, starting with Lupton's "Vision is a Process." She notes that the purpose of the book is to explain "how designers see" and to explore the many ways in which graphic designers apply key principles to achieve a communication goal. Then Lupton expands her premise by describing components of a graphic designer's methodology, such as "vision is active," "vision is immersive," and "vision is multisensory."

In the next essay, Caitlin Condell, another Cooper Hewett staff member, describes "How Posters Are Made," starting with the lithography process (invented in 1798) and continuing with technologies ranging from silk screen printing and various photographic processes to relatively recent innovations like digital printing and laser cutting.

The next few essays examine works by specific designers (sometimes with the designer explaining his own posters), including E. McKnight Kauffer, Bruno Munari, and a series of Dutch posters that experiment with use of a focal point.

Karrie Jacobs' essay "Night Discourse," first published in 1992, discusses political "protest" posters that appeared at night on New York City streets in the 1980s and 90s, including work by professional artists along with posters by "those who have anger but fewer skills."

In the final essay, "Collecting Posters," Gail S. Davidson of Cooper Hewett gives a history of how and why this museum added posters to its collection-- starting with an unsolicited gift of posters from World Wars I and II that arrived at Cooper Hewett in 1949, but expanding into deliberate efforts to document achievement in poster art from around the world, and throughout 20th and 21st century design history.

The remainder of the book, subtitled "Posters," is divided into 14 groups that convey key approaches to poster design, including foundational design principles such as "focus the eye," "simplify," "manipulate scale," and "tell a story" as well as possibly less-familiar techniques such as "assault the surface," "double the meaning," and "amplify." Each of these sections contains numerous examples of posters that apply the principle, and Lupton (and sometimes other authors) provide explanations and captions that help the reader understand why the use of these principles results in memorable posters. The sample works include famous names of the design field-- Rand, Bass, Glaser, Scher, Beall, van de Velde, Klutsis (spelled here as "Klucis"), Muller-Brockman, Matter, Vignelli, and Sagmeister, to mention only a few-- but the posters displayed from these iconic designers aren't always the "classics" seen in other compilations. Plenty of lesser-known designers' posters are featured as well.

The almost-square pages (about 9 inches by not-quite-10 inches) provide ample display space for the posters, many of which are full-page or half-page size, and all of the posters are reproduced in full color. The binding allows the book to open almost-flat for effective perusal of each poster. And although Amazon lists this book as "hardcover," the covers are more like a sturdy paperboard, which doesn't detract from the overall elegance of the volume, and makes the book surprisingly lightweight.

It's also surprisingly inexpensive. Therefore, I can't think of any reason that a poster aficionado (professional or amateur) wouldn't want to add this book to your collection.

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